“Life is, in itself and forever, shipwreck”
Before Simons did sneakers for Adidas. Before he did suits for luncheons for Dior. Before Raf Simons stopped having diverse castings. Before he was name-dropped in rap songs. Before he was fashion celebrity elite. Before all that he was doing some of the best collections of his career. There was a string of them, all tremendous and all even more so years later. Within the time he relaunched himself in 2001 to when he took on design duties at Jil Sander in 2006 sits a considerable body of work that stands today as one of the greatest dissertations on menswear of the last 30 years. One collection that feels especially worth revisiting is Autumn/Winter 2004-2005. Now as performance wear has entered not only the common lexicon of everyday dress but fashion as well, now as youth subcultures have gone mainstream, Simons’s ideas come full circle. Avant-garde in the truest sense, the collection could be shown and retailed today and it would still give most designers something to ponder. Some call it his “surf” collection, inspired by the technical wetsuits of surfers as well as their more casual non-sporty dress: tailored jacket worn over a neoprene body suit, hoodies worn as dramatic capes. In a world of cyber terrorism and technology attached to the very core of our daily experiences, it’s as if Simons recast the surfer as modern shaman. The effect is almost spiritual, monkish, a fitting follow-up to his abstraction of Hare Krishna and south Asian spiritualism the season prior. Ten years after the fact you wouldn’t mind if some of these ideas could be made viable again, by him or anyone else.
Editor’s note: I’m not privy to the original soundtrack but I like to pretend it could have been Orbital’s remix of Angelo Badalamenti’s theme from the movie “The Beach.” Try it for your own enjoyment.